Tuesday, January 2, 2018

Knit-worthiness

It is that magical time in late December when my thoughts turn more and more inward. In my way I try to sort out and make sense, celebrate and chastise the events, actions, and thoughts that had an effect on my life.

 Of course 2017 began with the empowering Pussy Hat Project and I’ll get to that sometime but first I want to talk about my knitting in general. As of 12/25/17 I knit over 22,000 yards of yarn! That’s like 12 miles, I think. I was dedicated to the cause of reducing my stash and that meant creative pairings of yarns to complete projects I was truly interested in. In some cases I went overboard in yarn groupings just to hit the high marks of yarn mileage; I mean, holding 6 strands of lace to worsted weights-who thinks that won’t weigh a ton? And I knit a coat with it!! To be fair, not all of my knitted yardage came out of my storage. My sister graciously donated skeins and cones that had lingered on her shelves for many decades and through many moves. I still consider it my de-stashing, though, because our stashes have intermingled over the years and some of her yarn has been fostered out to me and some of my original purchases were sent to find a new home on her looms, so it’s hard to draw a hard and fast line with mohair to say this one counts and this one doesn’t. Speaking of mohair: 2017 was definitely my year to knit with fuzzy, shed-y things. I have left tufts and fiber-kisses everywhere since August. I knit with so much angora it is ridiculous. I live in Central California! None of this was new purchase, I just seemed to be drawn to the foozily stuff in my stash and my sister’s during 2017. So what about the soft and haloed, but somewhat irritating, fuzzy trend I was in this year? What deeper meanings does it hold, if any? Yes, I was trying to reduce by diving deep, recycle by re-knitting some things that didn’t make me happy, but why this linty trend? Did I feel the need to leave my mark? Everywhere? Even in my husband’s eyelashes? (sorry!) Was this a trail of angelic feathers? Was it an attempt to obfuscate current circumstances by burying it in a downy mask? A need to be held and petted? I don’t have an answer, only a need to buy more refills for my lint roller.

 And then there was the knitwear down-sizing. I have been thinking for a couple of years now that I have too much inventory (actual finished-object inventory not the rapturous-stash-of-things-to-become inventory). Too many shawls and cowls and sweaters and less and less room to store them. And there was always the next mkal to inspire me and an almost slavish dedication to using up stash. But honestly, I only have one pair of shoulders and one neck and too much of my knitwear was never seeing the light of day. You see by living in an irrigated desert there are a wee few months out of the year when most of my warmth-wear can be used. And in my newly retired life, I don’t go out in public on a daily basis so the knitwear I did wear doesn’t get much of a rotation. The billow-y piles of hand-knitted memories were becoming a lead weight of –what- guilt? Maybe not as severe as guilt but a consciousness of constraint; in holding tight to these items and the memories of buying the yarn and creating the stitches that composed each piece, I was strangling the very freedom I sought in the making of these objects.

 There was a lot of hovering between the decision and the doing, and a lot of self-criticism; would these things of my hands be cherished or criticized? I debated who and how to give them away. I knew I didn’t want to gift them in that traditional sense of ‘this is for you’ and ‘this one’s for you.’ I wanted people to have a choice and to choose a piece they wanted (or would rather leave behind). The first opportunity I had for group gifting came in mid-November when I hosted a fiber crafting group. I hesitated though. I knew I needed to, and wanted to, down-size. I had even begun to mentally cull my wardrobe for the obvious rarely-worn gems. But I couldn’t do it yet. I think part of this came down to “knit-worthiness.” Much has been said about this among those of us who hold the power of the pointy sticks but in this case, I’m going to have to explain that the knit-worthiness was as much a recognition and a coming to grips with my self-worth as a creator as it was the worthiness of the recipient to honor the work and fiber. I say that because throughout this process I found myself see-sawing with anxiety over whether or not someone would find this shawl/cowl/scarf attractive. I loved these pieces. I had connections to the colors and patterns and the stories they told. Like children, some had their own idiosyncrasies that I feared wouldn’t be understood. I knew with my head that they were fine pieces of work and would stand up to the discerning eye of master knitters but waves of insecurity ebbed and flowed from my heart. In the end this played out when I could not bring myself to offer those remaining few items that I am so unsure of- the unusual color or yarn choices. These are the ones that I continue to hide from the light of day in order to protect that vulnerable spot of my creativity. So knit-worthy was really knitter-worthy.

 Although I did not offer pieces initially to that group of fellow fiber-ists, the commitment to purge the collection of hand-knits began to solidify to the point that I was ready when my next social invitation arrived in late November. Without too much rumination, I grabbed a big tote and began stuffing in scarves, cowls and shawls. Things I loved and wore sometimes, things I liked but hardly wore, and a few just things. It’s interesting that the group I chose to offer items to first is a group of my oldest friends- my womb sisters. The high degree of knit-worthiness with this group definitely grew out of our long-term intimacy, much more than any fiber love on their parts. With them, I felt knitter-worthy, somewhat safe in what I offered as gifts, although there remains those mutts in the drawers that are still too vulnerable. I hauled my big Santa bag of knit-stuffs and displayed them around the room before people arrived. My host said there would be a few other friends, friends outside the inner-circle, who would be joining us and, I’ll admit, I had a brief although palpable clutch in the stomach; were these other, more informal friends, knit-worthy? Or, more truthfully did I feel my knits worthy of their scrutiny? It was a momentary struggle. I had stepped onto the ledge and it was time to let go. I completed the display and greeted folks as they arrived with an offer of take what you want for yourself or someone else. Or leave it. No pressure. I was beginning to detach from the physical comfort of these objects while also distancing myself from the symbolism they held of the fear of judgement on my creativity.

Shawls and scarves were oohed & aahed over: cuddled, fondled, stroked and squeezed. Fiber ecstasy. We’ve all been there. It amused me to see who chose which piece(s) and, you know what? Some of that knitwear looked more fantastic on the new owner than it had on me! This exchange encouraged me to offer additional knitwear later, to other friends, and by the end of the year I had given away over 25 pieces. Will they be honored and cherished? I don’t know. What is important is that they were in that moment I gave them away and the knitter became worthy.

Thursday, October 5, 2017

Notice of Change

Perched in the shadows of the San Gabriel Mountains, Fox’s, entered my orbit in 1977 when, as a freshman, I was introduced to this homey restaurant on the fringe of my urban college landscape; close (and cheap) enough for a quick weekend stop before studious activities and traditional and recognizable in its atmosphere and offerings, which in my metamorphosis as an Intellectual, seemed then to be exotic in its homey-ness. Post-college, and over ensuing decades, continuity reigned surrounded by fluffed red & white gingham curtains and the framed and featured fox bric-a-brac displayed against wallpaper and pine paneling in this converted family home. Regular visits to LA always included the assurance of at least one cornflake mini-muffin - a blonde elfin mouthful made from a cereal box recipe found long before UPC stripes and bars. A reliable and resilient place, that is, until my most recent visit. With a muffin halfway to my mouth, a flurry of activity at the front window made me pause. A Public Notice of Application was being taped to the front window. A sterile but grotesque tattoo. What? Didn’t they already sell beer & wine? I wasn’t sure if I had the grace to accept assimilation of 3 olive martinis, cornflake muffins and gingham. It took my husband to point out, reading in reverse, that it in fact was a notice of change with a capital C and the beloved Fox’s of my mythic youth and iconic adult passages would soon have New Ownership. As the owner/cook passed our table, I needed to let him know I had been a customer since college and even though I wasn’t local anymore, I managed to stop in every couple of months when I was in the LA area. I get it, you begin working in your folks’ restaurant as a teenager and take over in 1967-it’s 50 years later and you’d like not to have to see another egg over-easy again if you don’t have to, but what did that mean for me? In the wake of several of my favorite eating establishments closing in recent times, it bears some self-reflection: What does it mean to shutter those connections to earlier versions of me? Melancholy over loss. Of comfort? Familiarity? A connection to that ridiculously arrogant, unfocusedly passionate young adult that first glimpsed Fox’s from the brink of BIG THINGS TO COME? Fox’s has always been like a visit to a favorite, unconditionally-loving relative. Even though you roll your eyes as you tell friends about their eternally medicinal green kitchen or ageless Readers’ Digest issues, you could always count on things to be the same and in the exact same location as last time you visited. You knew you always had a spot, a comfortable spot, and there weren’t any surprises that disrupted the status quo. For me, there is material truth in this comparison but like my relationship with Grandma, it goes deeper into my soul because, you see, whether the restaurant knew it or not, it was an inspiration to me. A silent cheerleader for the un-written play I’ve held captive for almost as many years as I’ve eaten there. Encouraging, non-judgmental, this restaurant has patiently waited for me to grow into my own, not just to linger and listen to the stories but to tell those stories. It never mattered what the story was, who it was about, or whether it was ever read, Fox’s just held that potential for me until I was ready to take possession of the treasure. A visit to the vault every couple of months, a reminder, never heavy-handed, just a nudge, that I could take my creativity in that direction-it would always be there. But now, will it? Always be there? Am I melancholy over loss? Isn’t loss only change, albeit sometimes with a capital and boldface C. It might seem trivial to compare a restaurant closing with the loss of love. There is much that is tragic and destructive that catches us up in its swirl. In losing something or someone dear, we can be sent to the point of the great void of nothing, without any sense of redemption. In the depths of our most profound loss of constants, that of the physical closeness of loved ones, of our vitality, of our sense of safety, that darkest of places we stare into will seem so, so empty. It takes great courage to open our eyes and look more deeply to see that life isn’t empty, there is always something there. That is loss, not a lack or absence, but a change in what is seen and experienced. I look differently now at my gift of Fox’s and its transformation. The constant over these years seemed to be the space, the food (#5 over-easy w/ muffins, please), the people, oh, bless me, the people, or so I thought. The constant, really, has only and ever been me, or more precisely, the creative spark of me that encountered an inspiration one day that I could write and would write. Mar sin a bheith ann agus mar sin tá sé.

Sunday, June 18, 2017

Father's Day 2017: Born under a wandering star

This is mostly due to the efforts and epic trips organized by my father, William H. King, Jr., to show his kids the great land where we lived. Happy Father's Day, Dad, and thank you! I think it's time to take care of some unfinished business.
visited 44 states (88%)
Create your own visited map of The United States

Friday, January 3, 2014

Croom clearing

Let the 2014 clearing commence! It was time to get back into my croom (creative room) after a few months of using it as a dump sight and start to put things in order so the creative energy could flow again. I was not expecting to confront the issue of gleaning the boxes of decades old sewing patterns I have amassed & been too sentimental over to realistically deal with in the past but obviously the willingness angel had other plans. The next thing I know, I've tossed 2 boxes of fashion history from the 80's. Those I kept fell into one of 3 categories: 1) still viable in terms of style lines or function, 2) would provide a good belly laugh to the executor of my estate and 3) purely sentimental. Here are a few that fell into the latter category. I sewed my first garment from the skirt pattern when I was 10. The Betsy Johnson bell sleeved jacket was the first time I sewed (and matched!) plaid. I was a stylish 13 year old.

Thursday, January 2, 2014

Progress report

Spent a lovely lunch at Max's with the femmes de Barnes today. It is a perfect day that includes Max's sweet potato fries with their arugula aioli & family stories! Completed the first end of my BooKnits Boo Humbug scarf today which included a picot bind-off across 100+ stitches. In dog years that's something like 374,832 stitches needing to be bound off in the tricky fuzzy -but beautiful- Fyberspates' Faery Wings. How can I hate a yarn whose name evokes whimsy & sparkledust?
Ready, willing & able to [please fill in the blank].

Wednesday, January 1, 2014

It's a New Year...

It's a New Year...and it's time to get back to writing in some form -no excuses- so I'm resurrecting this blog to keep my creativity front & center in this, my personal numerology year of 3 -a number with a big emphasis on communication & creation. In addition, the angel oracle card I pulled for the new year is willingness which led me to create my 2014 motto: Ready, willing & able. I plan to greet each day with this battle cry! I'll need this to get the energy pumping in order to honestly assess all the wips & projects I have in various stages of planning. And I don't just mean fiber projects (of which there are a few trillion) I am including making in it's broadest meaning. Here are a few ways that color intrigued me on the first day of 2014.
Ready, willing & able to [please fill in the blank].